“The body doesn’t care about you. Your vehicle doesn’t care about you. Your brain doesn’t care about you, that you think you think you are. It doesn’t. It’s living out a very, very deep, programmed, mechanical process that has a beginning, a middle and an end. You just happen to be a by-product of all of that, nothing more, nothing less. Left on the outside, not even allowed to enter the body, can you imagine.
Think about it. This illusion we have about soul, think about it. There you are in the womb just this perfect mechanical flesh bag; it’s perfect, this bio-mechanism, no Personality crystal, just the Design, just the Monopole. They build these machines, they run them, they drive them, and they kill them.
Then you have that moment, that moment where the Personality is going to be called in. But it’s not called in; it’s yanked into the orbit of the vehicle. That’s all.
It’s my joke when people ask me why I wear hats. It’s to keep my Personality crystal warm. It doesn’t even get to be in the body. Then you think that who you think you are runs your show. It’s hilarious. It’s sad; actually, it’s tragic comedy. It really is. There is the Personality stuck on the outside, don’t even let it in. And it’s the form that offers you those little aspects that you call Personality activations. It’s the form that creates that potential. It’s the form principle that sets the moment for bringing you in that is going to set the moment of your birth. It’s all fixed. It’s all a game. And the Personality sits on the outside. And it thinks that it is dying, and it’s not. It was never part of it anyway.
That’s the thing to really grasp. The Personality really has nothing to do with the life; nothing at all. It’s just a seduction to be pulled into the illusion; it’s just an illusion. It’s just the limitation of the primitiveness of the brainpan that we have, that this is the way that it functions. The illusion that we have that this is our vehicle, that this is our life. But in death the joke is revealed. In death the Design doesn’t even turn around and say good-bye to the Personality. It shows it its rear and the door, and that’s it, it doesn’t care.”
-Ra Uru Hu, RAVE COSMOLOGY: SEMESTER 3, Dying, Death and the Bardo Stages, LESSON TEN, Buddha’s Dream or How the Wheel Stops Turning
Source: Astronomy Picture of the Day
In ‘the Nature of the Stars’ we get to explore many stars that are seemingly far away but are located on the Elliptic of our Solar System. However interesting and rewarding it is to look at the position of the planets in our Rave Bodygraph, we usually only look at the imprinting of our Design and at the daily Transits. And while also understanding both the Sun and Jupiter are our greatest influences of Neutrinos, the Neutrinos come from all the stars, in all the galaxies.
And these far-away Neutrino streams also have influence on our lives, maybe even on our imprinting. And we can look at that. We can track the position of them through the ages and see what their influence is and has been. However remote they sometimes are, many light-years away, their consistency, the slow progression of their location relative to us, has given us this constant stream of influence and unfiltered consciousness.
To explore the background frequencies of the program, of that which is localized to our Solar System as the Cross of Planning and the upcoming Cross of the Sleeping Phoenix, but then also what is happening way beyond it and thus beyond our daily contemplations and comprehension. Especially also for someone like me as I’ve lived in cities most of my life, to realize how disconnected I am, but most of us (western) humans are from the star field and their influences, but also from their beauty and their stories, the impressions the Chinese, the Persians, Babylonians, Arabs, the Mayans and the Egyptians had of these stellar objects.
Something that started in October 2010 as a small seed in an email which only contained: “Rave Cosmology?” and what grew patiently larger during all these years since, and then triggered into higher gear through the death of Ra Uru Hu, finally after an interesting 250 hours of study during 15 months containing lots of drama, and then with even more intense focus in the 2 weeks that it took to prepare the exam papers I present you:
And a big shout out to –all– people who helped, supported and also to those that challenged me to explore me being a late bloomer more and further then ever before as all of you are a source of inspiration.
I hope you know who you are, since I may have forgotten a few of you that also deserve some form of credit, then please take it, it’s yours too 🙂
Rave Cosmology – Final Certification Course with Darshana Mathews begins January 11th. For more information please click here: http://www.ihdschool.com/School/Get/Course/403
Rave Cosmology is the esoteric and mystical side of Human Design.
For the first 18 years after the birth of Human Design, Ra Uru Hu focused on what was logical and empirical about Human Design. He often said: “Don’t believe me and do not trust me. Try it for yourself; test it for yourself. This is mechanical knowledge that can be tested by each and everyone of us”.
Once Human Design was established as a practical yet transformational tool, Ra Uru Hu felt a responsibility to bring forward the mystical side of Human Design by sharing his experience directly with us. He empowered us to carry this information forward to share it with the rest of the world generation by generation. Teaching the Rave Cosmology of Human Design is the opportunity to bring balance to this knowledge and to show how vast and profound the source of this knowledge really is. As Ra said, “It is time to give the Voice its due and allow this mechanical, simple view of the cosmology to be accessible and to be available.”
Rave Cosmology is the only program that has been running in the IHDS that opens up the opportunity for me to share the deep mysticism that is so much a part of what is my own process and what I like to consider is the magic that is connected to all of this. When I first started doing these kinds of courses I used to call them gray courses, just to have the opportunity to be able to look at things that aren’t necessarily important in any practical sense, which for me is like taking a vacation.
From the moment that I was given the knowledge I was deeply concerned about making sure that it was practical, that was delivered because that’s basically the thing that was going to allow it to survive and to be able to be transferred and to spread. But there are so many things about the nature of being that fascinate me and that I see with unusual eyes and I rarely have a chance to share any of that, and for me, because in the Rave Cosmology program this is, in fact, the last of the open seminars. I really felt this was a place where I could indulge my mystical side on this Jovian day. So, I will do so.
You know that moment, at the end of the night and u wake up, knowing, determent, clearheaded, when u realise things fall back into place, yes fall back into, as u come back to knowing that u realise stuff, more, when information has made sense. As the wind gently howls across the building in late autumn.
I was so stuck and fucked up just a few months ago, and clearly needed some kind of help, support, guidance perhaps, as I had wiggled my way into distress and mental suffering through reading stuff way over my head, trying to get things that one might not get from just reading, from reading someone else’s experience even, it simply does not always work that way.
So I guess I sort of booby trapped myself in my own process, and was reading both ‘The Experience of No-Self‘ by Bernadette Roberts as well as the very dark ‘Brahma’s Long Night‘ by Ra Uru Hu in the Rave Cosmology Teacher Training right after having finished the fucked up ‘The Nature and Mechanics of the Rave (2027)‘ semester which really did not make things any lighter, and it just fucked me up, big time. And here is the kicker, I got what was said even, that was tough to swallow, I got what was said, what was meant, I could follow this experience of Bernadette, but I could not possibly also share her experience or recognize it in my own life, my own perception of what she was sharing about. And so I came to a grinding halt
Zoned out and outshined
So I stopped, I stopped reading Bernadette while gently continuing Rave Cosmology, but giving myself some space and time, knowing I got fucked up, knowing I needed to take a breather, a step back, unwind the tension just a bit, and reorient myself. But first, just back off a bit, simply ease off, and not push myself over this edge of not understanding, of not having the same experiential knowing, and allow for that.
The neutrino feed is the product of the life cycle of stars. Cosmologically, star life not only fueled the eventual evolution of biological life but also generates the entire maia program including timing and cycles.
In this course we will examine these mechanics, the nature and evolutionary role of specific stars, and the vital relationship between stellar evolution and the evolution of nine centered transitional awareness.
We will also consider starbirth in a Human Design context, some geometry of star motion and the Rave Mandala, and briefly consider simple means of synthesizing star placements into Human Design Chart interpretation.
Both magical and technical, this is both a very substantial and inspiring course.
If you have ever wondered about the specific nature of your mystical role or whether a mystical encounter was correct or distorted, this is the class for you.
Every line level profile also has a more specific below-the-line mystical pattern that is revealed in the geometry at the color level. In this semester we will consider mystical motivation, transference and geometry of all 12 profiles and their chain variations and also the matter of the archetypal encounter environment. Angels, demons, ghosts, gods, entites, aliens, and more.
We will also carefully consider the detail of color level below-the-line geometry and its movement, an important depth aspect of Profile Mechanics.
Children of Men (2006)
In 2027, in a chaotic world in which women have become somehow infertile, the world’s youngest citizen has just died at 18, and humankind is facing the likelihood of its own extinction. Set in and around a dystopian London fractious with violence and warring nationalistic sects, Children of Men follows the unexpected discovery of a lone pregnant woman and the desperate journey to deliver her to safety to a sanctuary at sea.
Director: Alfonso Cuarón
Writers: Alfonso Cuarón, Timothy J. Sexton, David Arata, Mark Fergus, Hawk Ostby, P.D. James
Stars: Julianne Moore, Clive Owen, Clare-Hope Ashitey, Michael Cain, Pam Ferris, Peter Mullan, Oana Pellea
Can you imagine a distant future where Earth is gone but at the same time most of our ancient personality crystals fulfill their ultimate fractal geometry by playing an epic and essential cosmological role?
If you can -great! If you can’t…no worries. Rave Cosmology V Brahma’s Long Night and Beyond is here to demonstrate the evolutionary destiny of life as we know it. It does so through a startling and enthralling juxtaposition of lyrical storytelling and substantial, powerful Human Design mechanics and cosmology.
Highlights include but are not limited to:
- Analysis of Global Cycles beyond the Rave
- Detailed design analysis of the silica-based evolutionary form called Eron
- Some of the farther reaches of juxtaposition theory, the surprising (or maybe not so) evolutionary destiny of the yang yang, and…
- A revised Rave Mandala
Hear larger themes like the evolutionary roles of Carbon and Silica, changes in our solar system and the actual birth of the cosmos as told by Human Design will also be considered.
The implications and insights available for nine centered beings right here right now are some of the most exciting aspects of this very special “bookend” to The Bhan Tugh Plates. If you enroll in this class you could learn as much about yourself, your design, and the nine-centered bodygraph as you will about the Eron and the cosmos – not to mention gain a powerful new depth and skill with nine-centered Human Design circuitry. We will also be using playful props, art, and perhaps the knowledge students have in different fields to ground this information in the here-and-now.
Not only that, but while we’re at it, we also tend to have a really good time.